Will Guidry’s career as a backwater lawyer is going nowhere until he has a couple of beers with up-and-coming political operative Tucker Callahan, whose family’s petrochemical fortune instills in him a confidence bordering on hubris. As Tucker explains to his rudderless brother, Carter, “Guidry and I made a deal because he needed a miracle and I wanted to play God.”
Guidry rides Tucker’s political horse sense into the office of Louisiana’s Attorney General, while Tucker capitalizes on Guidry’s victory to bolster his own political reputation. But what should become a powerful alliance deteriorates into a bitter feud when Guidry tries to flex his political muscle and Tucker suspects he may have maneuvered a calculating sociopath into the marble halls of power.
Caught in the crossfire is Carter, the story’s narrator. Devastated by betrayal at the hands of his brother and the woman he loved for a lifetime, a brooding Carter remains content to watch the power struggle between Tucker and Guidry from the sidelines. Everything changes when he stumbles on the charismatic attorney general committing a monstrous crime, and finds himself drawn into the vortex of his brother’s private war.
Racing from a bungled execution through ruthless political payback and a no-holds-barred courtroom showdown, before culminating in a bloodbath by the side of a bayou, the stakes continue to rise and Carter finds his small-town naiveté peeling away. Replacing it is a mounting dread of what will happen when the hammer of Fate meets destiny’s anvil.
About the Author:
Steven Hicks came to Mississippi in 1974 and spent the next quarter century writing for various advertising agencies, including his own. He wrote commercials and print ads about hot dogs and other baloney, used cars, barbecue shacks, sunscreen, banks galore, white bread, undertakers, churches, casinos, turkey calls, finger-lickin’ chicken and symphony orchestras. Some of the work was thoughtful. Some was funny. Most was neither.
During that period of time, he earned the enmity of his competitors and peers by being named Mississippi’s top copywriter nine times, winning six certificates of excellence in the International CLIO Awards, over 150 ADDY Awards, Radio Mercury honors and being included in Who’s Who in American Advertising.
A major portion of his advertising and marketing income came through his work as a political consultant, engineering the media and messaging efforts for more than six dozen campaigns, culminating with the POLLIE Award for best statewide/national commercial from the American Association of Political Consultants in 1989.
While the embarrassing abundance of honors mean next to nothing to Hicks, the education he got through the process meant everything. He learned how to write what people like. He learned to write with economy and clarity, because consumers won’t buy things from long-winded peddlers of perplexity. He learned when words have to be polished and when they’re best left plain.
Through it all, people kept telling Hicks he should write books and he kept saying, “Maybe one day,” until the day came when a near-fatal stroke in 1997 forced him into an eyeball-to-eyeball confrontation with his own mortality, and he realized he wanted to be remembered for something more consequential than gimmicky commercials.
There was only one hitch. The stroke had taken away his ability to read.
For the next thirteen months, Hicks stubbornly stared at newspaper letters until he could form words, read sentences, then paragraphs, and finally had the ability to once again read novels, albeit at a far slower pace and with cognitive problems enhanced by lingering reading difficulties stemming from alexia, an aphasia problem caused by brain lesions.
It made the headstrong Hicks more determined than ever to take a shot at those novels people had been encouraging him to write for years.
Ten years and eleven revisions later came his debut novel, The Gleaner, a trans-racial romance set in a sleepy Mississippi whistle-stop. In a competition of 5,000 entries, The Gleaner was named a quarter-finalist in Amazon.com’s prestigious “Breakthrough Novel” competition. Upon its heels came two comic novels in 2009, The Fall of Adam, a satire of Deep South advertising, and Horizontal Adjustment, a farce about sexual escapades among competitors for a news anchor position in a tank town television station along the Florida Panhandle.
Deciding to take a breather from novels, Hicks started publishing New Orleans restaurant guidebooks on an annual basis in 2011, all of which have become mainstays on Amazon.com’s list of the 100 top-selling books about world dining.
In May of 2014, Hicks published his fourth novel, Destiny’s Anvil, which marked a stark departure from the breezy style of his earlier works.
“The final product is the polar opposite of the novel’s original intent. It is dark, violent bordering on savage, as it strips away the veneers of not only politicians, but the entire American political system. At the same time, it moves with the furious pace of a thriller overflowing with cliffhangers,” says Hicks.
Steven Wells Hicks currently resides in Jackson, Mississippi, but is in the process of moving to New Orleans.